Possibly influenced by the fact that I had spent the evening with my cousin who is serving in Rhodes, I saw myself walking around Lindos - although I did not know this until about half way through the dream.
Of course it wasn't the real Lindos. I was on an asphalted path, next to a railing, beyond which rose a limestone hill. On the sides of the hill, walls were visible, in my mind, they were norman / frankish era walls, but they did not fit the description as they were essentially massive marble monolithic constructions covered in ionic flutes and egg-and-dart edging. Walking along I was reminded a little of Jackson's Minas Tirith, except everything had the trappings and finishings of the ionic order.
As I walked down the path with the hill to my right, the hill fell away and the asphalt walkway with the railing were now raised above an open space over to my right where stones had been placed in such a way as to form letters - I could make out no words for a while and then I saw that the heaped stones spelled out the word "Lindenberg", from which I guessed this was Lindos I was looking at, although quite why the Germans would have spelled out the letters in this way, I could not understand.
Turning to my right, I saw a huge classical temple (which had been hidden from view by the hill and "norman" fortifications) with its pediment and pedimental sculpture intact - the order was, again, Ionic.
And there I was, looking at this, and I started framing the scene in my mind's eye and playing a soundtrack over it, thinking how I would work the panning and the reveal from the pedimental statues to the whole temple, thinking about the cuts from scene to scene, etc. And then I started thinking about whether or not Warner Music Group own the rights to the recording of Carl Orf's Catulli Carmina which I intended to use for the video I was planning out.
Then I woke up.
WMG - get out of my frikking head, already.
Friday, April 10, 2009
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